Archive for the ‘Color’ Category

Polishing up for the Studio Tour

Wednesday, June 27th, 2018

 

 

These turned pears responded well to a bit of Goldfinger enhancement.

Wooden fruit is a very traditional product of the turning shops in England.  It provides a wonderful pallet for me to collect samples of finishes that I use.

Pipe Dreams

Wednesday, June 27th, 2018

 

 

 

 

Tubes of dubious origin and doubtful usefulness!

Aspen cut in the face grain orientation on the lathe.  This orientation does not present aspen to its best advantage, so there is a good opportunity for fun with texture and color.

To 9″ tall

Inspired by my collection of Richard Raffan wooden tubes, which I use all the time

 

 

 

Stormborn Garments Provide new color frontiers

Tuesday, May 15th, 2018

Inspired by Game of Thrones on HBO, I decided to interpret ‘Stormborn’ in two different colorways for ice dyeing.

This is the ‘Ice’ colorway on rayon, which gives the most vivid colors.

I will have Stormborn products for sale for the first time at our September Studio Tour, the 8th and 9th here at our home studios.  Come try them on, and join the fray!

Getting back to greens

Friday, December 1st, 2017

All fabric for this quilt was made in a class with Linda Colsh several years ago.  It wasn’t until I started using metal paints on fabric that I knew what to make.

This one uses the energy in the green arches and the figure to evoke Vesuvius.  The figure is transposed from a photo of the statue of Pan in Pompeii, painted with brass and iron paints, and patinating solution.

The floating ash came from the way we layered the scrolls of fabric in Linda’s class.  The paints moved through the fabrics, creating unexpected effects, like floating ash…

‘Pompeii,’ uses the same printed black fabric from Linda’s class.  The leaves are metal paints printed with a stencil, both negative and positive versions.

The wine bottles were drawn after a photo of wine bottles in the ruins, then machine quilted without any other enhancement on the hand-painted fabric.

Interstellar silk

Thursday, February 9th, 2017

‘Distant Planet is the second of the Interstellar quilts.  Dyed silk combines with commercial cottons and machine quilting to evoke an unfamiliar sky.  The shape of the quilt and the green silk reflect the quadrilaterals used extensively in Star Wars.

Photography from space exploration and science fiction blend freely in my first efforts.  As I make more fabrics for this series of quilts, I hope to find the quilt-like features of space exploration that we tend to overlook.  Most habitations, for example, come from archaeology or submarine design, and feature weapons as the most common human artifacts.  It will be good to nurture a different vision…

New tools for the New Year

Thursday, February 9th, 2017

…a new commercial stencil (lower left) used on silk with Montana spray paint, Chroma-craft brushed on a blue background, and pentel dye sticks over a rosy dyed silk charmeuse.

I’m looking for overall patterns to use with more quilts in the Interstellar series.

Interstellar Ornaments for 2016

Friday, September 9th, 2016

After the surprise of the blue pears, I took a more hopeful look at using blue colors on wood.

Generally, we get the best results with the warm colors on wooden objects.  However, this amazingly deep blue matte paint combines so well with silver highlights that I have indulged extensively on these ornaments.  (2.5 -3″ tall, Colorado Aspen)

The only drawback to these ornaments is that they may require a silvery tree, or maybe some very blue lights on a green one.  I am looking forward to seeing how the colors respond to the LED Christmas lights.  I have always thought the LED colors were somewhat cold.  Like outer space.  Like interstellar space….

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Blue – so natural, so not

Friday, September 9th, 2016

I was inspired by Merryl Saylan to use milk paint on wooden fruits.  It is a self-priming paint that can be applied in layers and cut back with sanding.

Federal Blue was not on my list of likely colors for pears.  These have a blue base, with some blue mixed with buttermilk sponged on top.  Amazingly, the blue and yellow paints did not combine to form green.  I liked the frosty feeling, so I used a pewter metallic paint for the stems.

Thanks to Merryl for the suggestion, and to Ben at Woodcraft for giving me a sample of Federal Blue traditional milk paint!

…a notion to revive a tradition

Tuesday, March 22nd, 2016

Woodturners have been making fruit for over a hundred years, but we don’t see much of it in the US.  When we went to England, the turners made collections of fruit in different kinds of exotic wood scraps.  That way, the bowl was like  a memory palace for their work.

I’ve been experimenting with different color methods–fabric paint, fabric dye, acrylics, and milk paints.  Here’s a snapshot of my progress so far.  The pomegranate took a bit of carving, too.